Let’s talk
about death shall we?
My personal
experiences haven’t been that sore, for the people who have actually passed
during my time on earth have been of natural causes – a death born of old age
where your head can rationalize it as something that must happen. And that’s
how it was when I saw my grandmother being carried away some years ago. She
lived a long happy life and my memories with her had faded so the heart’s
ability to destroy what your mind creates wasn’t there.
Why is this
relevant here? Because it is a fear we all have. Death is an end, and while for
some it may come at the end of a long life – the most frightening thing about
it is that it can come at any time. Doesn’t matter if you’re 7, 17 or 70. And
that’s what king addresses in this novel.
(SPOILERS FOLLOW)
(SPOILERS FOLLOW)
The plot is
actually quite simple when you come to it – new family arrives at a place, find
a place that resurrects the dead, members of the family die one by one, are resurrected,
and kills said family one by one ensuring a vicious cycle.
No, the plot
isn’t the frightening thing. It’s about the themes and motivations of the
characters – especially of the central protagonist Louis Creed and how it impacts his family of four (wife Rachel and two children).
Creed’s
spiral is horrifying to see as we see a man who once taught his daughter to
understand death is a natural thing be driven mad and at the end, has lost
everything to his obsession with trying to unbind that natural thing itself. It's shows that prudence and hope can be at odds in a serious battle with terrible results. There’s no true evil here in a very direct sense as there is in many of King’s novels – the entire story is
littered with ‘accidents’ and ‘comeuppances’.
Let’s start
at the beginning. Louis Creed is a doctor who arrived at Ludlow with his family
and strikes up a friendship with a local and his wife. Family and Death are the
two major themes of this book, and it’s so easy to see where the conflict
arises between these two.
Louis grew
up without a father while his wife’s parents were always animus towards him. So
in Jud, he found the perfect companion. And in a way, that’s how the entire
chain of troubles began – though such an innocent thing as friendship. And that
leads to greater and greater misfortune for the Creed family.
Norma, Jud’s
wife, almost dies of a heart attack during Halloween and in return, Jud reveals
that the pet cemetary hides a darker truth just beyond it – there lies an old
indian burial ground which for years has been used by the people of Ludlow to
bring pets back to life. And in one case, even a fallen son. But while some of
them have been relatively peaceful resurrections though not without fault (the
returned act lifeless and seem to have a cruel streak to them as the Creed
family cat displays by mauling mice and crows), there have been cases where the
returned went berserk and had to put down.
But true
evil, in a sense, rears its head only when Jud retells the case of Bill Baterman the fallen
soldier who was brought back from the dead by his father, only for the
townspeople to learn that it might not have been Bill who came back. That is
actually cruelly revealed in the final act, when Louis’s two year old son Gage
comes back and murders both Jud and Rachel, his mother before being put down by
a father who’s driven insane enough to bury Rachel in the hope ‘she comes back
better’. And from the sinister open ending, King seems to hint that better isn’t
what happens for Louis.
Coming to
the good vs evil battle that litters most books by this author, we see glimpses
of it throughout but never a direct conflict. A man dies early on during Louis’s
first day at work and his spirit comes back to warn the doctor never to go
beyond the Pet Cemetary (and returns again during the final act with sadly similar effect) while Ellie, Louis’s daughter, has visions that predict
actions and sadly it becomes a reason for Rachel’s death when she returns home.
This after Louis has sent her and Ellie to his in laws while resurrecting Gage –
with horrifying results for all those concerned. There is a hint that Ellie possesses
the shining (dealt with in another King book) and an early reference to Cujo, a
more realistic but still horrifying take of a pet goes feral by King, are nice
nods to a connected universe and will be a pleasure for long time King readers.
But for the
characters of this novel, ‘pleasure’ is a luxury they can’t afford. The
atmosphere feels claustrophobic, especially when King describes the Indian
grounds where a Wendigo is supposed to be on prowl. And it’s especially nice to
see Louis’s inner rational voice being killed off slowly and slowly as he
descends into insanity. All the characters are given good arcs (Jud, Rachel,
Ellie) as they deal with death in different but engaging ways though sadly the
final act does descend into full blown slasher territory.
King leaves
you with a very bleak ending and anyone who’s been touched with the death of a
close one will be mortified by the conclusion. But there’s an understanding
that must happen. Sometimes death may not be better, but it has to be
acceptable. That’s natural law, and going against it means severe consequences
worse than death can arise.
So, I give
this 8.5 out of 10.
+Strong
character arc for the main protagonist
+Beautifully
claustrophobic environment
+Themes
rendered brilliantly
-The final
act is a little too fast paced and disrupts the build up
No comments:
Post a Comment